THE TEXTUAL PRELUDE to Sujith SN’s solo Seer-Seen at Vadehra Art Gallery involves a brief but dense excerpt from an essay by art critic Prajna Desai. You wonder if you should just sidestep the text and proceed, but you can’t contain your curiosity about the source of this new body of Sujith’s work. What sets it apart? What new revelations has he stumbled upon in his avid deployment of watercolour as a medium?
27 March 2020
